Features:
Z CAM & ASSIMILATE Partner to Simplify and Demystify VR Productions, Offering the First, Complete, Integrated VR Workflow By Lou Wallace Z CAM and ASSIMILATE have joined forces to lower the threshold to entry for producing high-quality VR productions, making it a viable media for all content creators. Creating professional VR/360 experiences has generally been complex and costly, with the myriad decisions and tools needed for a VR workflow - cameras, stitching, and a mix of post-production software. Z CAM and ASSIMILATE have partnered to simplify and demystify VR content creation, offering the first, complete, integrated VR workflow with the Z CAM S1/SCRATCH VR Z Bundle: - from image acquisition with Z CAM's high-performance S1 Professional VR Camera, and stitching with its optimal WonderStitch software, through to a streamlined VR post-production workflow with ASSIMILATE's real-time SCRATCH VR Z tools. ...Read More »
Two Alone Together By Miles Weston In photography Bokeh is the out-of-focus parts of an image. It turns out it is also an excellent title of an indie film that Geoffrey Orthwein and Andrew Sullivan finished that's now in theatres. Poof everyone is gone and surprise it's not one of those cookie-cutter sci-fi films but a film that makes you do something wierd...think. And it just happens to have been shot in one of the most dramatic locations you can find - Iceland. And it all comes together beautifully. ...Read More »
Workflow on the Edge By Miles Weston The most common question we get when we point people to Doug Liman's VR series Invisible is how did they shoot and produce it. VR is finally becoming real and real attractive to indie filmmakers and viewers and people want to know. Well, we didn't know so we talked to the person who did all the work - Lewis Smithingham, 30 ninjas. Production and post of any film is the unglamorous part of the content industry but it is also what makes good video good video. Despite his hectic schedule Lewis took the time to discuss and explain the ins and outs of great VR shooting and production to give the viewer an experience that he/she won't soon forget. Like most filmmakers he's was willing to share to what he has learned to help VR films become standard fare for an eager audience. ...Read More »
Workflow on the Edge By Miles Weston The most common question we get when we point people to Doug Liman's VR series Invisible is how did they shoot and produce it. VR is finally becoming real and real attractive to indie filmmakers and viewers and people want to know. Well, we didn't know so we talked to the person who did all the work - Lewis Smithingham, 30 ninjas. Production and post of any film is the unglamorous part of the content industry but it is also what makes good video good video. Despite his hectic schedule Lewis took the time to discuss and explain the ins and outs of great VR shooting and production to give the viewer an experience that he/she won't soon forget. Like most filmmakers he's was willing to share to what he has learned to help VR films become standard fare for an eager audience. ...Read More »
OWC Hosting Video and Audio Professionals In-Booth Throughout NAB Show By Miles Weston Filmmakers will take center stage in OWC's booth - SL8905 - during NAB ...Read More »
Lightworks from Editshare By David Hague Over the last few years, we have been literally bombarded with video editing packages (NLEs) from all sides. The stalwarts that have been around seemingly for ever such as Adobe's Premiere Pro, Grass Valley EDIUS, AVID products, Final Cut from Apple and Vegas Pro are in that mix and classified as "pro" products, while offerings from Corel, Pinnacle, MAGIX and others have been more aimed at the consumer market. Among all of these, a program that has somewhat been bypassed is Lightworks - now up to version 14 and in its 25th year! ...Read More »
ASSIMILATE Announces New SCRATCH VR Suite 8.6 ASSIMILATE achieves another virtual reality (VR) breakthrough with its SCRATCH VR Suite 8.6, the new version of its real-time post-production tools and workflow for VR/360 content. With added GPU stitching of 360-video and ambisonic-audio support, as well as live streaming, and more. The SCRATCH VR Suite 8.6 now enables VR content creators - DPs, DITS, post-production artists - with the only professional, streamlined, end-to-end workflow for VR/360 content on the market. ...Read More »
iClone Character Creation By David Hague As we have mentioned previously, iClone6 has a companion application called the iClone Character Creator. As the name suggests, this program allows you to create lifeline animated characters for inclusion in your iClone movies, or indeed your own by using green screen techniques. Unlike 3D programs such as Cinema 4D or Lightwave, iClone Character Creator comes with basic models you can start with, tweak all facets of the physical attributes, add clothing to and animate so the process is quite painless without having to learn the art of modelling, texturing, inverse kinematics and other complex things other programs need. ...Read More »
ASSIMILATE Announces SCRATCH 8.6 with Major Updates to Entire Product Line The SCRATCH product line, known for its high-performance 2D/3D tools in a single, streamlined workflow - dailies, conform, color grading, compositing, finishing & mastering -continues to evolve in SCRATCH 8.6 as the most efficient post-production tool suite on the market. New product highlights include expanded support for HDR functions, numerous new formats, a more user-friendly UI, and more efficient DIT tools. And notably, it's affordable for everyone. See the new features and functions for SCRATCH 8.6 at https://vimeo.com/202186457. ...Read More »
Content Insider #513 - The Shooter's Job(s) By Miles Weston Indie filmmakers learn a lot from their mentors, their peers, film schools, almost everyone they meet - new ideas, new techniques, new solutions. The produce super entertainment for people around the globe to enjoy. What I haven't heard too often is getting their creative work seen by real people. And today with so many viewing options and a dizzying array of content...how do you market it to keep your film work in front of eyeballs to enjoy (and pay for). Nicole and Chris Sobchack's recent release of a hilarious episodic series ,Please Tell Me I'm Adopted! gives you an inside view of what it takes to produce the film of your choice and get it seen. See what Nicole and Chris learned along the way as well as their sequel and future filmmaking plans. ...Read More »
Blackmagic Design Unveils the Darker Side of Filmmaking with "She Has a Name" "She Has a Name," the latest independent film out of the Canada-based Unveil Studios, is a dark documentary-style thriller based on the taboo subject of human sex trafficking. More than a movie for filmmakers and brothers Andrew (writer), Matthew (director/editor/color) and Daniel (director/editor) Kooman, "She Has a Name" is human rights statement designed to remove the public's numbness to what has become a global epidemic. ...Read More »
Content Insider #511 - Content Industry Mashup By Miles Weston VR is so real it led off the four-day HPA conference down in Palm Springs but it was only the tip of the iceberg of what technicall creative pros are doing way above and beyond (better) than what your kids post every day on YouTube. This is the event where the pros roll up their shirt/blouse sleeves to talk about how they're going to ensure quality content is produced and distributed. Yes the studio, production company and network pros also spent a lot of time figuring out the new OTT (Over The Top) streaming of content everywhere, anywhere, anytime to any device. Yes we do live in interesting times. ...Read More »
Hoover High School's "Mobile Storyteller" Hits the Road With Blackmagic Design By Lou Wallace The video journalism program at Hoover High School in North Canton, OH, recently expanded to include a mobile production truck, called the Mobile Storyteller, as a way to further student engagement with the community. The Mobile Storyteller provides high impact, career based education for students as they work on various client projects, preserve the arts in the community, build cultural awareness through journalistic storytelling, and provide onsite training for students and teachers in other video journalism programs. ...Read More »
DP Benjamin Gaskell Shoots the Latest Installment of the Witness Project Documentary Series with a Blackmagic URSA Mini 4.6K In late 2015, Smock Media, a Venice Beach-based film and VR production company, and the Victims of Communism (VOC), a Washington, D.C.-based human rights organization, came together and started The Witness Project. Beginning with a two-episode pilot that told the tales of life in communist regimes, the Witness Project debuted at a screening at the Library of Congress and began the greater journey into the victims' stories and inherent strength. Building on that success, Smock Media and VOC decided to expand the series into an eight-episode arch for 2016, with even more slated for later years. DP Benjamin Gaskell was brought on to tackle the first episode of the second installment, which would set the tone for the rest of the documentary series. The episode focused on Anastasia Lin, Miss World Canada 2015 and 2016, and her story. ...Read More »
Content Insider #509 - Ratings By Miles Weston OK everyone is fighting to deliver you content -- YouTube and respectable channel folks around the globe. They're delivering to folks who have TV sets but fewer of them). But according to the folks at MWC (Mobile World Congress) the real plaything is the device you've got in your hand. Big deal. Everyone knows it's all about great content and that comes from great filmmakers (4K/HDR and VR). These driven men, women showed off fantastic stuff at the Sundance Film Festival and they're showing even more at all of the festivals around the globe. Put down the cat/dog/stupid guy trick stuff and check out what really counts...fantastic, professional content from folks who want only a couple of things - cheers and monitization. ...Read More »
Manhattan College Upgrades to 4K Television Studio with Blackmagic Design Manhattan College is a private liberal arts college located in Riverdale, NY, a neighborhood in the northwest portion of the Bronx. In 2008, the college formed a new communication department, and as part of that initiative they began building a new, professional television studio for students in the broadcasting/telecommunications program. It took several years, but after putting in several proposals the department received the funds necessary to upgrade the studio to HD. While researching new equipment, Michael realized that Blackmagic Design's line of studio products would allow them to leapfrog over HD and upgrade the studio to 4K for roughly the same price. ...Read More »
Special VR Report By Miles Weston Shortly after his return from the Dubai International Film Festival (DIFF), we caught up with Lewis Smithingham, president of 30ninjas at CES in Las Vegas where he was busy shooting and producing VR (virtual reality) content for a number of the leading firms that were unveiling new VR products. Smithingham had been invited to DIFF to discuss the potential for immersive storytelling in the region. ...Read More »
Contribute to SCRATCH VR Suite 8.6 Open-Beta; Includes Stitching and Expanded HDR ASSIMILATE today announced its most aggressive products update to date with an open-Beta for SCRATCH 8.6 and the SCRATCH VR Suite 8.6, the latest versions of its advanced, real-time post-production tools and workflow -- VR/360 and 2D/3D content, from dailies, to conform, grading, compositing, and finishing. Both open-Beta versions give all content creators and post artists the opportunity to actively use the full suite of SCRATCH and SCRATCH VR tools, while evaluating and submitting requests and recommendations for additional features or updates. ...Read More »
Director Shoots Car Chase Film With JVC GY-LS300 Camcorder In the motion picture industry, previsualization helps filmmakers provide proof of concept by shooting quick, unpolished versions of complex scenes. Director and action DP Lawrence Ribeiro has directed and shot more than 100 sequences for various films and commercials. When directing his own short film, The Chase, Ribeiro wanted a slick finished product, so he shot with the GY-LS300 4KCAM handheld Super 35 camcorder from JVC Professional Video. ...Read More »
Content Insider #505 - VR Progress By Miles Weston After years VR is finally a solid foothold in the game and video content industries. The biggest problem with the technology is that people (VCs and young developers) were convinced it was going to immediately take over the world and we'd all be walking around like minions. But rehashed games and video scripts only hurt the rapid rise. Game developers, filmmakers/production people have gained a lot of experience on what to do and not do with the technology and the new stuff is really, really great. It's a whole new entertainment experience that brings you in and lets you control the action. And it's getting better with each new release! ...Read More »
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