Features:
Digital Colorist Dave Franks Discusses VR Post-Production for Jaunt's "Pure McCartney VR" Digital colorist Dave Franks enjoys helping to deliver bleeding-edge projects, like director Tony Kaye's VR experience: 'Pure McCartney VR' - a five-part series of stereoscopic virtual reality (VR) experiences, produced by Jaunt Studios. Innovation in the delivery of musical content has been a passion for Paul McCartney, so the VR space was a perfect medium for him to collaborate with director Tony Kaye and Jaunt to release these episodes. Each one of them is a unique vignette of McCartney discussing the origins of some of his most iconic music and other anecdotes within environmental montages of his artwork, photographs, and related imagery. ...Read More »
Content Insider #486 - 360, VR Everywhere By Miles Weston I'd probably enjoy IBC just as much even if it weren't in Amsterdam but I sure wouldn't want to find out. Or maybe the city just looks better through 360/VR glasses because everyone at the convention centre seemed to have the suctioncup lines on their face. But the discussions at IBC - suppliers, studios, networks, filmmakers, production people - always seemed to touch on how quickly VR had come and how much further it had to go. True VR isn't "brand new" because it's been around since 1929 (Link Simulator) and the first headsets were introduced in the 1960s but now we've got affordable cameras to shoot 360 video and defining VR films. Most of the films are short right now - under 30 minutes - but it won't be long before we have a solid feature film. ...Read More »
Colorist Alastor Arnold Differentiates the Past from the Present In "The Devil and the Deep Blue Sea," Henry (Jason Sudeikis) is an introverted architect who loses his wife Penny (Jessica Biel) in a tragic car accident. In order to cope with his grief, Henry befriends a homeless teen named Millie (Maisie Williams), and he helps her build a raft to sail across the Atlantic, while she in return helps him recover from the loss of his wife. The film, which premiered at the 2016 Tribeca Film Festival, makes use of flashbacks and several subplots to help tell the story, and Senior DI Colorist Alastor Arnold was tasked with bringing them to life through color. Alastor relied on DaVinci Resolve Studio to deliver the final DI grade of the film at L.A.-based post-production facility FotoKem. ...Read More »
A Look "Behind-the-Scenes" of Immersive VR By Lou Wallace With 2016 being its breakout year, 360° VR productions are everywhere. And VR headsets - like Samsung GearVR, Google Cardboard, or Oculus Rift - are making it a quality, immersive experience. But what's going on "behind-the-scenes"? ASSIMILATE is at the forefront of supporting VR with its new SCRATCH VR Suite that includes all the post tools - conform, color grading, compositing, and finishing - to work in 360° media, and includes SCRATCH Play for playback and SCRATCH Web cloud-based collaboration and review tools that are automatically formatted for 360° viewing in VR headsets. Getting out in the field with customers, Lucas Wilson and Jeff Edson, CEO at ASSIMILATE talked with us about how they are responding to the VR market with its SCRATCH product line to offer creators the streamlined professional and powerful production and post-production tools that are needed to enhance and finalize the look-and-feel of VR content. ...Read More »
Telling the History of St. Louis Organized under the banner of the Missouri Historical Society, the Missouri History Museum, the Library and Research Center, and the Soldiers Memorial Military Museum in St. Louis are not your typical local history institutions. In addition to the main museum building, which houses public galleries, classrooms, and an auditorium, it also consists of a Library and Research Center. Here is housed a library, archives, artifacts, documents, photos and prints, moving images and sound. The institution also runs the Soldiers Memorial Military Museum, which was builtas a local military museum honoring individuals from St. Louis who we lost in World War I. ...Read More »
Muzzle Flash and Smoke By Ko Maruyama Many compositors rely on stock media to complete their visual effects work. Having larger libraries offer potential for diverse types of VFX elements in a single project. Rampant Design has teamed up with FilmRiot and Triune to produce a new library for filmmakers ...Read More »
Content Insider #483 - Little But By Miles Weston We know you take storage for granted except when it's slow, not available, dies. But filmmakers are always thinking about their storage. They don't want much just fast, rugged, reliable, HUGE and inexpensive. No I didn't say cheap I said inexpensive and it was the last check mark for the filmmaker because reshooting is way too expensive and often impossible. At FMS (Flash Memory Summit) awhile ago industry experts - manufacturers, integrators and filmmakers - spent a day telling the attendees how they work, how they use flash and what they need to handle the growing volume of content they capture, process, produce and finalize for folks to consume at the theater as well as on their TVs, computers, tablets, smartphones. Great content is too valuable to lose. Just ask the people who make their living as creative visual/audio storytellers. ...Read More »
Singer Clara's 'Parasite' Music Video Shot with Blackmagic URSA Mini 4K by TruLove Post In the music video for her single "Parasite," singer Clara takes a unique approach. The song is about a girl who repeatedly tries to steal her friends' lovers, like bees who try to steal the honey bee's honey. Clara uses the music video not as a storyline for the lyrics, but as a message and a warning to the offending girl, while also expressing the feelings and confusion one goes through when trying to understand why someone would act that way. ...Read More »
Focusing on Creativity and Relationships with Events United and Blackmagic Design Where do musicians turn when they prepare carefully for gigs, only to find their performances ruined by poor production? They take matters into their own hands. That's what Tim Messina did when he founded Events United in Londonderry, NH. Events United is a full-service audiovisual production company specializing in houses of worship, concerts, theaters, corporate events, weddings, and other special events. ...Read More »
Content Insider #481 - Not Really By Miles Weston If you've been following the video streams from Rio with your VR headset on you've really gotten the feeling that you are there without spending a lot of money on flights and hotel. You're also getting the feeling of being at the center of the action and the crowd without the crowd. You'll have to forgive the enthusiasm of NBC, BBC, the Olympics committee and announcers who are telling you how great the activities are in VR. It ain't. It's pretty good 360 video they're streaming to you. Ok I'm being picky about the differences but so are a lot of filmmakers who are shooting and prepping 360 and VR films. Try both...you'll feel the difference. ...Read More »
ASSIMILATE Releases SCRATCH v8.5 Update, Supporting RED's New 8k Weapon Helium Sensor and 8k VistaVision Always at the forefront of post-production support for the latest RED digital camera formats (www.red.com), ASSIMILATE's SCRATCH 8.5, build 909, now includes support for RED's new 8K Weapon Helium Sensor, as well as the 8K Weapon VistaVision-sized Sensor (full frame). Support includes the Log3G10 gamma space and REDWideGamutRGB color space. ...Read More »
Shooting "Savior" on URSA Mini 4.6K Dillon McEvoy (DP), Mike Overton (Director) and Matt Ramey (Producer) are film students at Chapman University and just completed their Junior level Advanced Production short film." And you would be hard pressed to tell the difference in quality between their film, "Savior," and a big-budget Hollywood film. To create a high quality war film is a huge undertaking. You have to get the uniforms right. Weapons and scenery have to be accurate, and you have to combine that with action scenes, VFX, physical effects, such as blood, and making sure you get the right actors that can believably inhabit the role of soldiers. And for a student film, all on a miniscule budget that would not even pay for catering on a typical Hollywood set. ...Read More »
An Interview with Digital Video Producer and Director Edward Payson By Maureen Mo Whelan I had the pleasure of working with Edward Payson when he was directing the comedy-horror short film, Dinner with the Dwyers. He's been a working director in the entertainment industry for seven years and has directed short films, feature films, commercial spots, infomercials, webisodes and documentaries. The recent documentary he just finished is Our Friend - Jon - The Documentary about his friend who passed from Sickle Cell Anemia. ...Read More »
The Clock is Ticking An hour can fly by quickly when making a film but the team at indie production house Photon Harvest Productions is making the most of it. In their new One Hour Short Film Experiment, the Photon Harvest team is creating a series of compelling, polished short films that all have one thing in common - each part of the production and post production process was limited to an hour. An hour to write, an hour to shoot, an hour to edit, an hour to color grade, an hour to sound mix - the clock is certainly ticking away. ...Read More »
ASSIMILATE Continues Fast Pace of Leading-Edge Functionality for SCRATCH Ecosystem with New SCRATCH 8.5 In its continued commitment to boost the creativity and productivity of creative professionals in digital cinema within a streamlined workflow, ASSIMILATE today announced SCRATCH 8.5, a significant update to its entire SCRATCH ecosystem. The new, real-time SCRATCH 8.5 ecosystem includes the SCRATCH 2D/3D post-production tools - dailies, conform, color grading, versioning, compositing, and finishing; SCRATCH Play for playback and review; and SCRATCH Web for cloud-based review and collaboration. ...Read More »
Director JOHN PUTCH at the helm of two new shows this fall. Veteran indie and TV director JOHN PUTCH has been tapped to direct episodes of the new high profile series "APB" for FOX and "NO TOMORROW" for the CW. ...Read More »
Content Insider #474 - New Creators By Miles Weston Video distribution has evolved over the years from a couple of channels to millions of channels. It is almost as though we are rapidly transitioning into a video-only world. With billions of cameraphone users stepping forward to ensure we don't miss a moment of the world around us (especially their awesome lives) the people who make their money distributing the stuff are grabbing as much as they can, as quickly as they can just to fill their "inventory." But when the newness wears off people will again become selective as to how they spend their time and want/view content that real filmmakers know how to capture/develop/deliver - great audio, outstanding video. Folks tastes will improve. They have to! ...Read More »
SCRATCH VR Creative Tools With the release of SCRATCH 8.5, ASSIMILATE also introduced the SCRATCH VR Suite. This Suite bundles SCRATCH, SCRATCH Web and a series of tools and features for a streamlined workflow for Virtual Reality 360 media - projects. Although the basic viewing of 360 media is available even in the (free) SCRATCH Play version - all the advanced edit, grade and composite tools are only available in the SCRATCH VR Suite which requires a special license. ...Read More »
SCRATCH VR Creative Tools With the release of SCRATCH 8.5, ASSIMILATE also introduced the SCRATCH VR Suite. This Suite bundles SCRATCH, SCRATCH Web and a series of tools and features for a streamlined workflow for Virtual Reality 360 media - projects. Although the basic viewing of 360 media is available even in the (free) SCRATCH Play version - all the advanced edit, grade and composite tools are only available in the SCRATCH VR Suite which requires a special license. ...Read More »
Fast, Light By Lou Wallace Today's filmmakers are always on the clock, for someone else or for themselves. The key is to capture all of your data quickly, accurately and completely. Then get that content back to the production, post production facility. Filmmaker Leslie Chilcott has found you can do it without a lot of extra hardware or gear. ...Read More »
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