At the Sundance Film Festival 2012 in Park City, Utah (January 19 - 29), several films were on the roster for filmmakers whose post-production companies used ASSIMILATE's SCRATCH(r) DI tool in their digital workflows. The Sundance Film Festival 2012, is the premier showcase for independent American and international filmmakers.
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The Creators Project -- a collaborative synthesis of art, music and technology from Vice Media -- aims to create immersive visual experiences no one has imagined before.
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Feature:
By John Gaudiosi for Digital Innovation Gazette
Four years and plenty of hurdles have gone into BioWares first MMORPG, Star Wars: The Old Republic. Heres how it handled a beloved intellectual property in a new way.
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Whatever the hindsight, or occasion, what's a summertime get together without cold beers and quality food? The commercial was filmed in HD on-site at ElBulli in Catalonia, and in the region of Costa Brava. Artola and Coixel's team of 70 people utilized two RED One cameras, an ARRI Alexa and a Canon 5D Mark II at 25 and 100 frames per second. The footage was cut over the course of 22 days using Final Cut Pro. To effectively construct the cinematic tone for "La Campana del Verano," Moncho applied DaVinci Resolve's secondary color correction controls for curve grading, leveraging the tools to change luminance value and adjust the associated saturation.
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Feature:
By Dominic Milano for Digital Innovation Gazette
Thanks to new
workflow tools from CyberLink and Roxio, consumers have fast, easy and powerful
options for handling their HD and stereoscopic 3D content.
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A multi-disciplinary creative who works along the whole production process, in "Addictions" Bucci combines green screen, stop motion animation, filming with macro, motion graphics, visual effects and employs the Canon 7D with a 16-35mm Canon lens, with some shots created with the GoPro HD.
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The Epson Stylus® Pro 3880 and 4900 Designer Editions were created to specifically meet the unique needs of graphic designers. Print full-bleed from 17" to 44" with ultra-accurate color matching. Compatible with the graphics software you already use. Learn More
This year's Macworld made us feel like we were visiting an old and ailing relative in the hospital. You felt obliged to go but didn't really like it because you remember when they were younger, more vital. Macworld/iWorld may not be close to drawing its final breath but a lot of rethinking, repositioning, investment will have to take place to make it a new, exciting, vital event. There's a place for it in the business world but someone will have to rethink what the iPhone, iPad, Mac system(s) are beyond neat devices to carry around and show off your latest game download.
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